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Ukraine's counteroffensive is taking shape as Russia continues its aerial attacks. Emma Murphy of Independent Television News spent two days on the frontline with Ukrainian forces made up of professional soldiers and civilians who've become fighters.
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Julia Ioffe is an American journalist who was born in Russia. She is a writer for and founding partner of the media company Puck. She previously reported on politics and world affairs for The Atlantic.
The following interview was conducted by the Kirk Documentary Group’s Michael Wiser for FRONTLINE on Sept. 28, 2022. It has been edited for clarity and length.
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript of this interview, and others, on the FRONTLINE website: https://www.pbs.org/wgbh/front....line/interview-colle
#Putin #JuliaIoffe #FrontlineInterview
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Who profits when disaster strikes? FRONTLINE & NPR investigates how much insurance companies profit after a natural disaster. (Aired 2016)
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When Superstorm Sandy made landfall in October of 2012, the historic natural disaster killed more than 100 people and caused catastrophic damage along the Eastern seaboard. “Business of Disaster” puts two key parts of the disaster recovery system under scrutiny: the special housing aid Congress gives to local governments after major disasters, and the National Flood Insurance Program that’s run by the Federal Emergency Management Administration. Major insurance companies declined to be interviewed, but FRONTLINE and NPR spent months working to track their profit numbers down. With storms expected to grow in frequency and intensity, this joint investigation raises troubling questions about disaster relief in America.
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#Documentary #BusinessOfDiaster
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
A devastating earthquake and tsunami struck Japan on March 11, 2011 triggering a crisis inside the Fukushima Daiichi nuclear complex. This 2012 documentary reveals how close the world came to a nuclear nightmare.
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In the desperate hours and days after the Fukushima nuclear disaster, the fate of thousands of Japanese citizens fell into the hands of a small corps of engineers, firemen and soldiers who risked their lives to prevent the Daiichi nuclear complex from complete meltdown. FRONTLINE tells the story of the workers struggling frantically to reconnect power inside the plant’s pitch-dark and highly radioactive reactor buildings; the nuclear experts and officials in the prime minister’s office fighting to get information as the crisis spiraled out of control; and the plant manager who disobeyed his executives’ orders when he thought it would save the lives of his workers.
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#Documentary #InsideJapansNuclearMeltdown
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
As controversy erupts around Clarence and Ginni Thomas, this two-hour documentary special tells the inside story of their path to power.
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Over the past three decades, Supreme Court Justice Clarence Thomas has risen to the center of power in Washington, impacting issues affecting millions of Americans — from abortion to affirmative action. By his side has been his wife and best friend, Ginni Thomas. Together, the Thomases have left an indelible mark on America — in the legal realm and in conservative politics. But what has fueled their rise and expanded influence, and what have been the consequences?
“Clarence and Ginni Thomas: Politics, Power and the Supreme Court” is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporters are Vanessa Fica and Jane Mayer. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting related to "Clarence and Ginni Thomas: Politics, Power and the Supreme Court" on our website: https://to.pbs.org/3LyTJbv
#Documentary #SupremeCourt #ClarenceThomas #GinniThomas
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS.
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting.
Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Funding for "Clarence and Ginni Thomas: Politics, Power and the Supreme Court" is provided by the Jonathan Logan Family Foundation and The WNET Group’s Preserving Democracy, a public media reporting initiative.
CHAPTERS:
Prologue - 0:00
Clarence and Ginni Thomas - 0:34
Clarence Thomas’ Childhood in the Segregated South - 3:33
Clarence Thomas’ Catholic School Experience - 9:23
Ginni Thomas’ Childhood - 12:15
Clarence Thomas’ Time in the Seminary - 18:15
Clarence Thomas and the Black Power Movement - 24:38
Ginni Lamp’s Role Model: Phyllis Schlafly - 32:37
Clarence Thomas’ Experience at Yale Law School - 36:13
Ginni Lamp’s Experience with Lifespring, a ‘Cult’ - 42:16
Clarence Thomas’ Role in Ronald Reagan’s Administration - 48:34
How Ginni Lamp and Clarence Thomas Met and Married - 1:00:06
Clarence Thomas Becomes a Supreme Court Justice - 1:04:24
Anita Hill, Sexual Harassment Allegations and Clarence Thomas - 1:21:33
How Clarence Thomas Came to Know Conservative Figures Like Rush Limbaugh & Harlan Crow - 1:25:32
Ginni Thomas’ Rise in Republican Politics - 1:36:05
Ginni and Clarence Thomas, “Right-Wing Royalty” - 1:40:06
Clarence Thomas' Influence on the Supreme Court and Key Issues Like Abortion and Affirmative Action - 1:48:06
Credits - 1:51:58
The inside story of how Harvey Weinstein allegedly sexually harassed and abused dozens of women, and the elaborate ways he tried to silence his accusers. (Aired 2018)
FRONTLINE’s documentary investigates the disgraced mogul’s spectacular downfall, and what Hollywood itself knew — and when. With allegations going back to Weinstein’s early years, the film draws on exclusive insider accounts and examines how Weinstein used lawyers and private detectives to help him suppress sexual harassment allegations.
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#Weinstein #Documentary
EDITOR'S NOTE, from May 22, 2018: An earlier version of "Weinstein" contained comments from New York Attorney General Eric Schneiderman that are no longer in this updated film. Since the initial broadcast, Schneiderman resigned amid allegations that he physically assaulted four women.
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, The John and Helen Glessner Family Trust, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
Will your IRA or 401K accounts ensure a safe retirement? FRONTLINE investigates the big business of retirement, raising troubling questions about how America's financial institutions protect our savings. (Aired 2013)
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Trillions of dollars in Americans' retirement savings are invested in large and small accounts managed by banks, brokerages, mutual funds, and insurance companies. But whether your IRA or 401K will assure a safe retirement is largely a gamble. In the 2013 documentary “The Retirement Gamble,” producers Martin Smith and Marcela Gaviria build off reporting from the groundbreaking series “Money, Power and Wall Street,” revealing how fees, self-dealing, and kickbacks bring great profits to Wall Street while imperiling the prospects of a secure future for individuals. The documentary explores who has the consumer's best interests in mind, and whether there is a better way to manage our retirements.
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#Documentary #RetirementGamble
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
FRONTLINE and The New York Times examine how the credit card industry became pervasive, lucrative, and politically powerful. (Aired 2004)
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Millions of American families use their personal, general-purpose credit cards to make ends meet. With no federal laws on the amount of interest or fees that can be charged, credit cards have become the most profitable sector of the American banking industry.”] In “Secret History of the Credit Card,” correspondent Lowell Bergman uncovers the techniques used by the industry to earn record profits and get consumers to take on more debt. Some experts argue the profitability of credit cards began when the banking industry successfully eliminated a critical restriction: the limit on the interest rate a lender can charge a borrower. Deregulation, coupled with a revolution in technology enabled the almost real-time tracking of personal financial information and the emergence of nationwide banking, facilitated the widening availability of credit cards across the economic spectrum. But for some, the cost of credit is often far greater than it appears.
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#Documentary #CreditCards
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
FRONTLINE and ProPublica explored the hazardous work of independent contractors who built and serviced America’s cellular infrastructure as it expanded. (Aired 2012)
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The smartphone revolution came with a hidden cost. Tower climbers install and service cell phone antennas, ascending hundreds, sometimes more than a thousand feet. Nearly 100 climbers were killed on radio, TV and cell towers in the decade before the documentary was released — a rate that at the time was about 10 times the average for construction workers. Reporters at FRONTLINE and ProPublica investigated 50 cell-related deaths in this 2012 documentary.
While some cell phone tower climbers said they were under pressure to cut corners, layers of subcontracting made it difficult for safety inspectors to determine fault when a tower worker was killed or injured.
“Cell Tower Deaths” was a FRONTLINE production with RAIN Media, Inc., in partnership with ProPublica. The documentary was written and produced by Travis Fox. Martin Smith was senior producer and correspondent. Reporting was by FRONTLINE’s Ryan Knutson and ProPublica’s Liz Day. The series senior producer for FRONTLINE in 2012 was Raney Aronson-Rath. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting on "Cell Tower Deaths" on our website:
https://www.pbs.org/wgbh/front....line/documentary/cel
#Documentary #CellPhones #WorkplaceSafety
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS.
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting.
Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
High Rate of Deaths for Tower Climbers - 00:00
“Free Climbing” Cell Phone Towers, Contractors & Workplace Safety - 5:35
3G & Smartphones Lead to Rush to Upgrade Cell Phone Towers - 11:51
“Money Versus Safety” in Cell Phone Tower Industry - 20:35
Credits - 30:28
When the Twin Towers fell on September 11, 2001, among the thousands killed was the one man who may have known more about Osama bin Laden and Al Qaeda than any other person in America: John O'Neill.
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This 2002 FRONTLINE documentary chronicles John O'Neill's struggle to convince the FBI to pay attention to the threat posed by Al Qaeda and Osama bin Laden. The former head of the FBI's flagship antiterrorism unit in New York City, O'Neill had investigated the bombings of the U.S. embassies in Africa and the USS Cole in Yemen. For five years, he led the fight to track down and prosecute Al Qaeda operatives throughout the world. But he was a controversial figure inside the buttoned-down world of the FBI. O'Neill's critics contend that his personal failings proved fatal to his FBI career. His supporters, however, believe his main failing was refusing to conform to the standard-issue FBI mold.
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#Documentary #TheManWhoKnew
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
In the 2012 award-winning series Money, Power and Wall Street, FRONTLINE tells the story of the struggles to repair the economy after the 2008 financial crisis, exploring key decisions, missed opportunities, and the uneasy partnership between leaders of government and finance.
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In part one of Money, Power and Wall Street, FRONTLINE correspondent Martin Smith interviews leading bankers, government officials and journalists to chart the epic rise of a new financial order—and the trouble that followed. As Wall Street innovated, its revenues skyrocketed, and financial institutions of all stripes tied their fortunes to one another. Smith probes deeply into the story of the big banks—how they developed, how they profited, and how the model that produced unfathomable wealth planted the seeds of financial destruction.
FRONTLINE’s veteran financial and political producers Michael Kirk (The Choice 2020: Trump Vs. Biden, United States of Conspiracy), Martin Smith (The Crown Prince of Saudi Arabia, The Pension Gamble), Marcela Gaviria (The Virus: What Went Wrong?, Separated: Children at the Border) and Tom Jennings (Right to Fail, Opioids Inc.) team up to present this Emmy Award-winning documentary series.
#Documentary #MoneyPowerWallStreet
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
On Dec. 11, 2008, Bernard L. Madoff confessed that his investment business was all "one big lie," a Ponzi scheme that cost investors $65 billion. In this 2009 documentary, FRONTLINE explored how Madoff became the new poster child for Wall Street gall, greed and corruption.
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Through exclusive television interviews with those closest to Madoff's operation, veteran FRONTLINE correspondent Martin Smith and producer Marcela Gaviria unearthed the details of the world's first global Ponzi scheme — a deception that lasted longer, reached wider and cut deeper than any other business scandal in history — in The Madoff Affair.
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#Documentary #BernieMadoff #WallStreet
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Did America rush into a war in Iraq for which it was unprepared? In this 2003 documentary, FRONTLINE examines why the U.S. went to war in Iraq, what went wrong in the planning for the postwar occupation, and what was at stake for both the U.S. and for Iraqis.
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In "Truth, War and Consequences," FRONTLINE producer and correspondent Martin Smith probes the fierce internal debate between the Pentagon and the State Department over the intelligence justifying the war and over the shape of post-Saddam Iraq.
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#Documentary #TruthWarConsequences
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
With the nation in crisis, FRONTLINE investigates how President Donald Trump and former Vice President Joe Biden have responded to crises throughout their own lives.
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In the midst of the historic coronavirus pandemic, economic hardship and a reckoning over racism, this November Americans will decide who leads the nation for the next four years: President Donald Trump or former Vice President Joe Biden. Ahead of the 2020 election, FRONTLINE’s critically acclaimed series “The Choice” returns with interwoven investigative biographies of both men, focusing on how they have responded in moments of crisis. In this 2-hour documentary special from veteran FRONTLINE filmmaker Michael Kirk and his team, hear from friends, family, colleagues and critics about the challenges that shaped Trump and Biden’s lives and could inform how they confront the crises facing the nation at this pivotal juncture.
#TheChoice2020 #DonaldTrump #JoeBiden
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
This 2017 documentary investigates how Scott Pruit, a former state senator and minor league baseball team owner, went from fighting the Environmental Protection Agency to running it, rolling back years of policy.
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FRONTLINE tells the inside story of how the major reversal of the Clean Power Plan and other environmental policy rollbacks happened; how President Trump’s Environmental Protection Agency administrator, Scott Pruitt, went from fighting the federal agency to running it; and
how the anti-regulatory and anti-climate change science movements in America reached a moment of triumph.
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#Documentary #WarOnTheEPA
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
