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The enduring story of the battle of Fallujah, told by the people who lived through it.
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With this spring marking the 20-year anniversary of the U.S.-led invasion of Iraq, “Once Upon a Time in Iraq: Fallujah” tells the story of the battle to retake the key city of Fallujah from a violent insurgency that was taking root across Iraq after the U.S. ousted Saddam Hussein.
In this documentary from filmmaker James Bluemel (“Once Upon a Time in Iraq,” “Exodus”), U.S. Marines, journalists and ordinary Iraqis share their experiences of what would become the bloodiest battle of the Iraq War, and how its consequences have reverberated for two decades.
“Once Upon a Time in Iraq: Fallujah” is a Keo Films Ltd. production for GBH/FRONTLINE and BBC. Produced and directed by James Bluemel. The series producer is Jo Abel. The producers are Gus Palmer, Stewart Armstrong and Sally Brindle. The senior producer is Dan Edge. The executive producers for Keo Films are Andrew Palmer and Will Anderson. The editor-in-chief and executive producer for FRONTLINE is Raney Aronson-Rath.
Explore additional reporting on "Once Upon a Time in Iraq: Fallujah" on our website:
https://www.pbs.org/wgbh/front....line/documentary/onc
#Documentary #IraqWar #Fallujah #USMarines
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
U.S. Marines in Fallujah, Iraq, in November 2004 - 1:12
A U.S. Marine’s Family - 6:20
U.S. Marines’ Rules of Engagement in Fallujah - 12:30
What Happened to an Iraqi Family in the Battle of Fallujah - 23:20
Journalists Embedded with U.S. Marines in Fallujah - 29:15
Legacy of the Battle of Fallujah for Two Families — Iraqi and American - 44:56
Credits - 52:00
Have efforts to solve the plastic pollution problem made it worse? Go inside the battle over plastics, recycling and what’s at stake.
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#RecyclingDocumentary #PlasticWars #frontlinePBS
Despite efforts spreading across America to reduce the use of plastic and the crisis of ocean pollution growing, the plastics industry is rapidly scaling up new production and promoting a familiar solution: recycling. But it’s estimated that no more than 10% of plastic produced has ever been recycled. The documentary “Plastic Wars,” from FRONTLINE and NPR, reveals how plastic makers for decades have publicly promoted recycling, despite privately expressing doubts that widespread plastic recycling would ever be economically viable.
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, The John and Helen Glessner Family Trust, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
FRONTLINE tells the inside story of the U.S. government’s massive and controversial secret surveillance program that began in the wake of September 11 -- and the lengths they went to trying to keep it hidden from the public. (Aired 2014)
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From the investigative team behind FRONTLINE’s award-winning “Money, Power & Wall Street,” comes the definitive history of domestic surveillance in a post-9/11 world. In part one of this two part series, FRONTLINE filmmaker Michael Kirk pieces together the secret political history of “The Program,” which began in the wake of Sept. 11 and continues today — even after the revelations of its existence by Edward Snowden.
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#Documentary #UnitedStatesofSecrets
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
FRONTLINE reveals the hidden story of the NFL and brain injuries.
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The National Football League presides over America's indisputable national pastime, but the league is under assault: Thousands of former players have claimed it tried to cover up how football inflicted their long-term brain injuries. What did the NFL know, and when did it know it?
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FRONTLINE is streaming more than 200 documentaries online, for free, here: http://to.pbs.org/hxRvQP
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, The John and Helen Glessner Family Trust, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
FRONTLINE investigated how sweeping changes in the meat industry — making it vastly more centralized, high-tech and efficient — led to low prices, but also introduced new risks. (Aired 2002)
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The hamburger is as American as apple pie. When this documentary aired, the average American ate three a week — and hamburgers had become the engine of a vastly changed meat industry. In “Modern Meat,” FRONTLINE investigated whether dramatic changes in the U.S. meat industry were compromising the safety of America’s beef supply — and examined why contaminated meat was getting through the system.
Explore additional reporting in connection with "Modern Meat" on our website:
https://www.pbs.org/wgbh/pages..../frontline/shows/mea
#Documentary #Meat #MeatIndustry
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
CHAPTERS:
Prologue - 0:00
Food Poisoning and the Safety of America’s Meat Supply - 1:22
The 1993 Jack-in-the-Box Food Poisoning Outbreak - 5:31
Raising Cattle That Become Hamburgers - 8:39
The Dangers of Antibiotic Resistance - 14:09
Inside the Meat-Packing Business - 16:26
The USDA and the Debate Over Meat Safety Regulations - 24:06
Globalization and Food Safety - 39:34
The Meat Industry’s Safety Push - 47:48
Credits - 52:10
Deadly traffic accidents involving large trucks have surged over the past decade. FRONTLINE and ProPublica investigate one particularly gruesome kind of truck accident — underride crashes — and why they keep happening.
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“These are crashes where a smaller vehicle gets caught under large trucks like 18-wheelers, often with devastating consequences,” says award-winning correspondent A.C. Thompson (“Documenting Hate,” “American Insurrection,” and “Law & Disorder”). “Our new investigation explores what the trucking industry and the government knew about these crashes, when they knew it, and their role in the fight over safety measures that could potentially save thousands of lives.”
America’s Dangerous Trucks is a FRONTLINE production with Midnight Films LLC in partnership with ProPublica. The director is Gabrielle Schonder. The producers are A.C. Thompson, Gabrielle Schonder and Karim Hajj. The correspondent is A.C. Thompson. The writers are A.C. Thompson and Gabrielle Schonder. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting on "America’s Dangerous Trucks" on our website and ProPublica’s website:
https://www.pbs.org/wgbh/front....line/documentary/ame
https://www.propublica.org/
#Documentary #Trucks #Accidents #Crashes #Traffic
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
A 16-Year-Old Killed in a Truck Underride Crash - 00:34
What Are Underride Crashes — and Why Are They So Devastating? - 4:38
Jayne Mansfield’s 1967 Death Put Underride Crashes in Spotlight - 8:30
Dept. of Transportation’s Lead Agency on Underride Crashes: NHTSA - 9:52
Truck Rear Guards Met 1998 Federal Regulations But Mostly Failed Crash Tests - 12:26
The Truck Industry Lobby and NHTSA - 17:42
Sen. Gillibrand Seeks Stronger Regulations to Prevent Underride Crashes - 27:54
The Truck Industry’s Reaction to Proposed Underride Regulations - 30:49
Accident Reconstructionist Tests a New Kind of Truck Side Guard - 33:10
Why Is There a Lack of Reliable Data on Truck Underride Crashes and Fatalities? - 38:52
Department of Transportation Insider Speaks Out - 45:10
Credits - 51:58
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FRONTLINE and the Venezuelan news outlet Armando.info investigate Alex Saab, a shadowy figure at the heart of a corruption scandal spanning from Venezuela to the U.S., and explore what has happened to the journalists who helped uncover the scandal.
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In 2016, as Venezuela was in economic freefall, President Nicolás Maduro’s government responded with the CLAP program: a domestic aid initiative that was billed as providing high-quality, essential food items to Venezuelans impacted by the economic crisis. But as the FRONTLINE and Armando.info documentary shows, complaints about powdered milk in the CLAP boxes soon caught the attention of a team of journalists. Armando.info requested a chemical analysis of a few of the milk products, and a researcher they consulted noted some were so deficient in calcium and high in sodium they couldn’t be classified as milk at all.
Armando.info’s investigative journalist Roberto Deniz and his colleagues also uncovered that the CLAP initiative itself was enriching Saab, the biggest contractor for the food program and a close associate of Maduro’s. The Armando.info journalists’ reporting helped expose a vast corruption scandal, which ultimately made them targets of the Maduro government. Facing threats, harassment and possible jail time, Deniz made the difficult decision to flee Venezuela, and continued to follow the story from exile in Colombia.
As governments across the globe crack down on a free press and journalists face increased intimidation, “A Dangerous Assignment” is a stunning look at the price of journalism in Venezuela.
“A Dangerous Assignment: Uncovering Corruption in Maduro’s Venezuela” is an Assignment Film production for GBH/FRONTLINE in association with Armando.info. The director is Juan Ravell. The producer is Jeff Arak. The reporter is Roberto Deniz. The executive producer for Armando.info is Ewald Scharfenberg. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting connected to “A Dangerous Assignment” on our website:
https://www.pbs.org/wgbh/front....line/documentary/a-d
#Documentary #Venezuela #PressFreedom #NicolasMaduro
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler through the Jon L. Hagler Foundation and additional support from Koo and Patricia Yuen, and Corey David Sauer. Additional support for this program from Free Press Unlimited.
CHAPTERS:
0:00:00 – Prologue
0:04:10 – Journalists Investigate Complaints About Powdered Milk in Venezuela’s CLAP Food Program
0:12:50 – Who is Alex Saab?
0:32:01 – ‘Operación Alacrán’ / ‘Operation Scorpion’ and Its Impact on Venezuela’s Political Opposition
0:38:15 – How the U.S. Government Tracked Down Alex Saab
0:46:30 – A Campaign to Free Alex Saab Takes Hold in Venezuela and Other Countries
0:55:05 – Alex Saab Extradited to the U.S.
0:59:18 – Alex Saab’s Pre-Trial Hearing in Miami
1:02:30 – Court Documents Reveal Alex Saab’s Cooperation With the U.S. Drug Enforcement Administration
1:11:20 – Alex Saab is Freed as Part of a Prisoner Swap Deal Between the U.S. and Venezuela
1:21:58 – Credits
A 2016 report from inside the war-torn city of Benghazi — the birthplace of Libya’s 2011 uprising, later besieged by ISIS and warring militias. (Aired 2016)
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While making this 2016 documentary in Benghazi, reporter Feras Kilani gained rare access to Libyan forces fighting for control of the city against ISIS and other extremist groups. By that point, the battle had been going on for over 18 months, with more than 100,000 residents displaced by the fighting, and Libya was ISIS’ biggest base outside Syria and Iraq. In “Benghazi in Crisis,” Kilani followed Libyan fighters battling for a central point in the city, filmed the stories of displaced civilians and offered a rare and grim look inside a city in turmoil.
Explore additional reporting on "Benghazi in Crisis" on our website:
https://www.pbs.org/wgbh/front....line/documentary/ben
#Documentary #Libya #Benghazi
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:12 - The Fight Against ISIS in Benghazi, Libya, in 2015-16
11:05 - Libyans Displaced by the Fight Against ISIS in Benghazi
16:23 - Credits
An inside look into the controversy over the Wal-Mart way of doing business, investigating whether the retail giant changed the American economy. (Aired 2004)
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In "Is Wal-Mart Good for America?," FRONTLINE offered two starkly contrasting images: one of empty storefronts in Circleville, Ohio, where the local TV manufacturing plant had closed down; the other, a sea of high rises in the South China boomtown of Shenzhen. The connection between American job losses and soaring Chinese exports? Wal-Mart. Through interviews with retail executives, product manufacturers, economists and trade experts, correspondent Hedrick Smith does a deep dive into the company’s business practices.
Explore additional reporting on "Is Wal-Mart Good for America?" on our website: https://www.pbs.org/wgbh/front....line/film/showswalma
#Documentary #Walmart
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
Wal-Mart’s Retail Power - 01:17
Muscling Manufacturers - 11:41
What’s Behind Wal-Mart’s Low Prices - 18:57
The Rise of “Made in China” - 28:26
Losing Jobs in U.S. Manufacturing - 40:11
Credits - 53:12
Part one of a two-part docuseries: FRONTLINE and Forbidden Films investigate Pegasus, a powerful spyware sold to governments around the world by the Israeli company NSO Group.
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In 2020, the journalism nonprofit Forbidden Stories and Amnesty International gained access to a leaked list of more than 50,000 phone numbers. They suspected it contained numbers selected for potential surveillance with Pegasus. The Pegasus Project reporting consortium — which was led by Forbidden Stories and included 16 other media organizations, FRONTLINE among them — found that the spyware had been used on journalists, human rights activists, the wife and fiancée of the murdered Saudi columnist Jamal Khashoggi, and others.
Over two nights, this docuseries reveals the inside story of an investigation that prompted probes by governments and institutions around the world and sparked calls for an international treaty to govern the largely unregulated spyware industry.
NSO, which has disputed some of the Pegasus Project’s reporting, says that its technology was not associated in any way with Khashoggi’s murder and that it sells Pegasus to vetted governments for “the sole purpose of preventing and investigating terror and serious crime.”
Surveillance technologies like Pegasus are “a military weapon used against civilians, and the civilians, they don’t have any mechanism to help them in seeking justice,” says Laurent Richard, founder of Forbidden Stories and Forbidden Films and one of the producers of the films.
Part two of “Global Spyware Scandal: Exposing Pegasus” premieres Tues., Jan. 10, 2023.
Learn more: https://www.pbs.org/wgbh/front....line/documentary/glo
#Documentary #Spyware #Surveillance
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“Global Spyware Scandal: Exposing Pegasus” is a FRONTLINE production with Forbidden Films. It is a film by Anne Poiret and Arthur Bouvart. The director is Anne Poiret. The producers are Laurent Richard and Sandrine Rigaud. The senior producers are Eamonn Matthews and Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, the John D. and Catherine T. MacArthur Foundation, Park Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Laura DeBonis.
CHAPTERS:
Prologue - 00:00
Spyware That Turns Phones Into Surveillance Devices - 00:49
What Pegasus Spyware Does - 03:15
The Pegasus Project Begins - 09:57
Jamal Khashoggi’s Wife and Fiancée’s Phones Targeted With Pegasus - 13:38
Prominent Mexican Journalist On Being a Pegasus Spyware Target - 25:26
An Investigative Journalist Finds Out Her Phone Was Infected by Pegasus Spyware - 35:16
Pegasus Spyware: “A Military Weapon Used Against Civilians” - 50:26
Credits - 51:54
Ahead of the 2022 midterms, FRONTLINE’s two-hour season premiere investigates political leaders and choices they made at key points that have undermined and threatened American democracy.
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In “Lies, Politics and Democracy,” FRONTLINE examines how officials fed the public lies about the 2020 presidential election and embraced rhetoric that led to political violence.
An epic examination of former President Donald Trump’s influence on the Republican Party, the documentary presents startling details from GOP insiders on how the indulgence of Trump’s authoritarian impulses and embrace of his rhetoric enabled his power over the American political system, leading the nation to a precarious moment in which most Republican voters now believe the lie that the 2020 election was stolen.
Told in part through the perspectives of key Republican players and party leaders, the two-hour special provides first-person accounts from those who sounded the alarm about Trump, and those whose warnings were minimized or silenced all along the way.
“Lies, Politics and Democracy” is supported by The WNET Group’s Preserving Democracy, a public media initiative. The film is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporters are Vanessa Fica, Tim Alberta and Jelani Cobb. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#Democracy #Documentary #SeasonPremiere
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, the John D. and Catherine T. MacArthur Foundation, Park Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Funding for Lies, Politics and
Chapters:
Prologue - 00:00
Trump Falsely Claimed Ted Cruz 'Stole' Iowa Caucuses in 2016 - 00:37
Early Signs of Trump Embracing Authoritarian Behavior - 6:54
How Republican Leaders Responded to Trump in 2016 - 19:32
Trump’s Vision of President as Strongman - 26:07
Trump & the GOP’s Response to White Nationalists at Charlottesville - 28:50
Republicans Who Warned of Trump’s Threat to Democracy - 40:27
Democrats’ Push to Impeach Trump in 2019 - 50:26
Trump & the GOP’s Response to Black Lives Matter Protests - 58:49
The Big Lie About the 2020 Election - 1:04:52
Trump’s Plot to Overturn the Election - 1:19:40
The Republican Party After Jan. 6 & Trump’s Presidency - 1:34:35
The Damage of the Big Lie Continues - 1:46:53
Credits - 1:51:58
Donald Trump has announced his bid to become the Republican presidential nominee once again. FRONTLINE’s documentary, “Trump’s Takeover” goes inside his original high-stakes battle for control of the GOP. (Aired 2018)
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FRONTLINE went inside former President Trump’s high-stakes battle for control of the GOP, examining how he attacked fellow Republicans and used inflammatory rhetoric that rallied his base and further divided the country in his first year as president. Through interviews with longtime Republican legislators like former Sen. Jeff Flake (R-Ariz.), House Freedom Caucus members including Rep. Jim Jordan (R-Ohio), former senior White House officials including Kellyanne Conway and Sean Spicer and other D.C. insiders, “Trump’s Takeover” examined how, years before the Jan. 6., 2021 U.S. Capitol attack, the president was remaking the GOP in his own image, counter-punching when criticized and publicly attacking those who defied him.
Explore additional reporting in connection with "Trump’s Takeover" on our website:
https://www.pbs.org/wgbh/front....line/documentary/tru
#Documentary #DonaldTrump #Trump
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
FRONTLINE, The Associated Press and The Howard Centers for Investigative Journalism investigate deaths that occurred after police used tactics like prone restraint and other “less-lethal force.”
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Every day, police rely on common tactics that, unlike guns, are meant to stop people without killing them, such as physical holds, Tasers and body blows. But when misused, these tactics involving what police call “less-lethal force” can still end in death.
The federal government has struggled for years to count these types of deaths, and the little information it collects is often kept from the public and incomplete. This documentary is part of a multiplatform investigation from an AP-led team offering the most extensive accounting ever compiled of deaths following these kinds of encounters: 1,036 in the decade from 2012-21. Police say they are often responding to volatile and sometimes violent situations, and deaths are rare.
Drawing on police records, autopsy reports, witness accounts and body camera footage, the film is a powerful and nuanced examination of what an AP reporter calls “hidden deaths.”
Explore additional reporting connected to “Documenting Police Use of Force,” including the “Lethal Restraint” interactive story and database, on our website:
https://www.pbs.org/wgbh/front....line/documentary/doc
“Documenting Police Use of Force” is a FRONTLINE production with Trilogy Films and Sony Pictures Television – Nonfiction in association with The Associated Press. The writer, producer and director is Serginho Roosblad. The producer is Mike Shum. The AP journalists are editor Justin Pritchard and reporters Martha Bellisle, Ryan J. Foley, Kristin M. Hall, Aaron Morrison and Mitch Weiss. The senior producer is Nina Chaudry. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#Documentary #Police #Policing
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen, and the Charina Endowment Fund.
CHAPTERS:
0:00 – Prologue: Uncovering ‘Hidden Deaths’ Following Police Encounters
1:11 – What Happened to Austin Hunter Turner After 911 Was Called
8:05 – Investigating Deaths After Police Used ‘Less-Lethal Force’
17:14 – What Medical Examiners’ Rulings Can Mean for Police Accountability
19:05 – Jameek Lowry Called 911 For Help
23:56 – Why Police Often Have to Serve as ‘Frontline Social Workers’
25:21 – Examining Deaths After Police Used Prone Restraint
36:08 – Why Injecting Sedatives Into People Restrained by Police Has Come Under Scrutiny
38:36 – Taylor Ware Was Sedated While Restrained by Police
46:43 – Why Experts Say 'Excited Delirium,' Cited in Some Deaths Involving Police, Is a 'Flawed Concept'
51:57 – Credits
With May 2024 marking the 70th anniversary of the Supreme Court’s landmark Brown v. Board of Education decision declaring separate schools for Black and white children unconstitutional, revisit the 2014 FRONTLINE documentary, “Separate and Unequal,” an investigation into the resurgence of school segregation in America. (Aired 2014)
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In the 2014 documentary “Separate and Unequal,” FRONTLINE traveled to Baton Rouge, Louisiana, the site of one of the country’s longest battles over school integration, to examine the growing racial divide in schools and the legacy of Brown v. Board of Education.
As the documentary explored, in 1981, after a 25-year legal fight, the East Baton Rouge Parish School District was forced to desegregate its schools. But roughly 30 years later, frustrated over the district’s many low-performing schools, a group of mostly white, middle-class parents and business leaders tried to break away and form a new city, St. George, with its own separate schools. The film documented this controversial effort, which mirrored similar breakaway movements around the U.S. that proponents said would create more community-oriented schools and improve their childrens’ education and critics said would reverse hard-fought civil rights gains and leave schools less racially and economically diverse.
In April 2024, the Louisiana Supreme Court ruled that St. George could be incorporated as a city.
“Separate and Unequal” was a FRONTLINE co-production with Left/Right Docs. It was produced and directed by Mary Robertson and co-produced by Kyle Spencer. It was written by Frank Koughan and Mary Robertson. The deputy executive producer of FRONTLINE was Raney Aronson-Rath. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting on “Separate and Unequal” on our website:
https://www.pbs.org/wgbh/front....line/documentary/sep
#Documentary #Education #SchoolSegregation #Louisiana
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
02:24 - Some Baton Rouge Residents Plan to Form a New City With Its Own Schools
05:22 - Concerns About Deepening School Segregation in Baton Rouge, Louisiana, in 2014
09:47 - An Inside Look at Woodlawn High
18:38 - The History of Desegregation in Baton Rouge Schools
27:14 - End
As the U.S. began a new effort to secure victory in the Iraq War through a “surge” of troops, FRONTLINE investigated how strategic and tactical mistakes had brought Iraq to civil war. (Aired 2007)
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In “Endgame,” filmmaker Michael Kirk and his team investigated how the early mandate to create the conditions for a quick exit of the American military from Iraq led to chaos, failure, and sectarian strife. The documentary traced why President George W. Bush decided to risk what military planners once warned could be the worst way to fight in Iraq — door-to-door — and assessed the likelihood of its success.
Explore additional reporting related to "Endgame" on our website:
https://www.pbs.org/wgbh/front....line/documentary/end
#Documentary #IraqWar #GeorgeWBushAdministration
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
After 2003 Iraq Invasion, U.S. Gov’t in ‘State of Denial’ About Insurgency - 01:11
In 2004, U.S. Implements New ‘Light Footprint’ Iraq War Strategy - 8:16
The Second Battle of Fallujah in 2004 - 16:49
Sunnis Boycott Iraq's 2005 Election -23:07
2006 Samarra Mosque Bombing and Sectarian Conflict in Iraq - 32:15
In 2006-07, Another U.S. Strategy Shift in Iraq - 41:08
Credits - 53:09
FRONTLINE, The Associated Press and The Howard Centers for Investigative Journalism investigate deaths that occurred after police used tactics like prone restraint and other “less-lethal force.”
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Every day, police rely on common tactics that, unlike guns, are meant to stop people without killing them, such as physical holds, Tasers and body blows. But when misused, these tactics involving what police call “less-lethal force” can still end in death.
The federal government has struggled for years to count these types of deaths, and the little information it collects is often kept from the public and incomplete. This documentary is part of a multiplatform investigation from an AP-led team offering the most extensive accounting ever compiled of deaths following these kinds of encounters: 1,036 in the decade from 2012-21. Police say they are often responding to volatile and sometimes violent situations, and deaths are rare.
Drawing on police records, autopsy reports, witness accounts and body camera footage, the film is a powerful and nuanced examination of what an AP reporter calls “hidden deaths.”
Explore additional reporting connected to “Documenting Police Use of Force,” including the “Lethal Restraint” interactive story and database, on our website:
https://www.pbs.org/wgbh/front....line/documentary/doc
“Documenting Police Use of Force” is a FRONTLINE production with Trilogy Films and Sony Pictures Television – Nonfiction in association with The Associated Press. The writer, producer and director is Serginho Roosblad. The producer is Mike Shum. The AP journalists are editor Justin Pritchard and reporters Martha Bellisle, Ryan J. Foley, Kristin M. Hall, Aaron Morrison and Mitch Weiss. The senior producer is Nina Chaudry. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#Documentary #Police #Policing
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen, and the Charina Endowment Fund.
CHAPTERS:
0:00 – Prologue: Uncovering ‘Hidden Deaths’ Following Police Encounters
1:11 – What Happened to Austin Hunter Turner After 911 Was Called
8:05 – Investigating Deaths After Police Used ‘Less-Lethal Force’
17:14 – What Medical Examiners’ Rulings Can Mean for Police Accountability
19:05 – Jameek Lowry Called 911 For Help
23:56 – Why Police Often Have to Serve as ‘Frontline Social Workers’
25:21 – Examining Deaths After Police Used Prone Restraint
36:08 – Why Injecting Sedatives Into People Restrained by Police Has Come Under Scrutiny
38:36 – Taylor Ware Was Sedated While Restrained by Police
46:43 – Why Experts Say 'Excited Delirium,' Cited in Some Deaths Involving Police, Is a 'Flawed Concept'
51:57 – Credits
FRONTLINE and ProPublica chronicled Dayton’s struggle to recover in the aftermath of recession and the economic and social forces shaping the lives of residents in a city where nearly 35% of people lived in poverty. (Aired 2018)
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When “Left Behind America” was released in 2018, the residents of Dayton, Ohio, were still fighting for economic revitalization a decade after the Great Recession. While many American cities and towns bounced back, economic recovery remained elusive for some small and mid-size cities like Dayton that were once hubs for innovation and manufacturing.
The film examined how part-time, low-wage work had become the new normal in Dayton rather than full-time work with benefits. As a result, many families struggled to survive. “The majority of people who come to our pantry work,” said Sunnie Lain, who helped run one of the city’s food pantries, in the documentary. And yet, she said, “we’ve got families watering down soup, and moms trying to figure out how to make a box of mac and cheese last two days.”
The documentary also explored how Dayton was hit hard by the opioid epidemic and how, despite the obstacles, many of its residents took matters into their own hands and focused not just on surviving, but thriving.
Left Behind America was a Middle America Productions Inc. film for WGBH/FRONTLINE in partnership with ProPublica. The producers were Paul Cadieux, Shimon Dotan and Nancy Guerin. The correspondent was Alec MacGillis. The senior producer was Frank Koughan. The executive producer of FRONTLINE was Raney Aronson-Rath.
Explore additional reporting on “Left Behind America” on our website:
https://www.pbs.org/wgbh/front....line/documentary/lef
#Documentary #Ohio #EconomicCrisis #IncomeInequality #OpioidEpidemic
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
01:05 - Economic and Social Factors That Shaped Dayton, Ohio
09:09 - Struggles of Residents in West Dayton
12:19 - Why Dayton Was Among the U.S. Cities That Fell Behind Economically
19:36 - Tracing the Roots of the Opioid Epidemic in Dayton and Its Impact
32:18 - Exploring Immigrant Communities’ Efforts To Revitalize Dayton
35:25 - What Working Class Wages Meant in 2018
46:28 - Dayton’s Resolve to Rebuild Its Economy
52:00 - Credits
The 2007 documentary “Spying on the Home Front” examined then-President George W. Bush’s domestic war on terrorism and its implications for Americans’ civil liberties. (Aired 2007)
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The attacks on 9/11 altered America in many ways, from barricades and body frisks in airports to greater government scrutiny of people’s records and electronic surveillance of their communications. The watershed, officials told FRONTLINE in the 2007 documentary “Spying on the Home Front,” was the government’s shift to a strategy of pre-emption at home — not just prosecuting terrorists for breaking the law, but trying to find and stop them before they struck.
The documentary probed the ramifications of that strategy, explored how the National Security Agency’s domestic surveillance program worked at the time, and examined various viewpoints on whether the Bush administration violated the Foreign Intelligence Surveillance Act and infringed on constitutional protections.
Read an update involving an AT&T case featured in the film:
https://www.pbs.org/wgbh/front....line/article/how-att
Watch FRONTLINE’s later films on U.S. government surveillance programs:
https://www.pbs.org/wgbh/front....line/documentary/uni
Explore related reporting on our website:
https://www.pbs.org/wgbh/front....line/documentary/hom
#Documentary #Surveillance #CivilLiberties #NSA
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
08:01 - How Government Surveillance in the U.S. Changed After the 9/11 Attacks
16:58 - Revisiting the National Security Agency’s Post- 9/11 Surveillance Mechanisms
31:56 - A Look Back at Surveillance in One American City: Las Vegas
53:09 - Credits
In the 2018 documentary “North Korea’s Deadly Dictator,” FRONTLINE examined who killed North Korean leader Kim Jong-un’s half brother, Kim Jong-nam, and what it revealed about the North Korean regime. (Aired 2018)
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In 2017, North Korean leader Kim Jong-un’s half brother Kim Jong-nam was ambushed in a Malaysian airport by two women bearing a lethal chemical weapon 10 times more powerful than sarin. He died en route to the hospital. In the 2018 FRONTLINE documentary “North Korea’s Deadly Dictator,” producer Jane McMullen examined claims that Kim Jong-un and his intelligence services ordered the assassination on Kim Jong-nam, and shed light on his broader intentions and his regime’s nuclear capabilities.
“If you want to understand what’s actually going on in Pyongyang … one of the things you have to understand are these rare moments when the palace opens its doors inadvertently and lets you in,” Evan Osnos of The New Yorker said in the documentary. “And one of those moments — perhaps its most spectacular moment — was the assassination of Kim Jong-nam.”
Drawing on interviews with a leading North Korean defector, diplomats, Kim Jong-nam’s school friends and even a former North Korean secret agent, the documentary offered a rare glimpse at the inner workings of the Kim family. It also examined how King Jong-un operates, and how he tries to ensure his regime’s survival and perpetuate his own power.
“North Korea’s Deadly Dictator” was a BBC Current Affairs production for WGBH/FRONTLINE and the BBC. It was produced and directed by Jane McMullen. The senior producer was Dan Edge. The executive producers for the BBC were Sarah Waldron and Sam Bagnell. The executive producer of FRONTLINE was Raney Aronson-Rath.
Explore related reporting on our website:
https://www.pbs.org/wgbh/front....line/documentary/nor
#Documentary #NorthKorea #KimJongUn
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
01:34 - How the Attack on Kim Jong-nam Unfolded in a Malaysian Airport
05:26 - A Look at Kim Jong-nam’s Early Life and Upbringing
10:55 - The Investigation Into Kim Jong-nam’s Assassination
22:28 - Exploring the Battle for Succession in North Korea’s Kim Dynasty
25:30 - Examining North Korean Leader Kim Jong-un’s Rule
31:59 - North Korea’s Nuclear Weapons and Missiles Program
42:23 - How Former U.S. President Donald Trump Responded to North Korea’s Threats
51:58 - Credits
The 2009 FRONTLINE documentary “Black Money” examined bribery allegations against international companies and explored how prosecutors around the world cracked down on the practice. (Aired 2009)
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As pressure for profits increased on corporations during the global financial downturn of the late 2000s, the U.S. Department of Justice pursued an aggressive crackdown on an international business tactic: bribery. The 2009 documentary “Black Money” examined this shadowy side of international business. The film shed light on how some multinational companies routinely made secret payments — often referred to as “black money” — to win billions in business, and explored the crackdown being waged by prosecutors at the U.S. Department of Justice and allies abroad against companies including the British-based multinational defense company BAE Systems.
Explore developments in the BAE Systems case since this documentary aired:
https://www.pbs.org/frontlinew....orld/stories/bribe/2
Explore reporting related to “Black Money” on our website:
https://www.pbs.org/wgbh/front....line/documentary/bla
#Documentary #BlackMoney #CorporateBribery
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
FRONTLINE and Retro Report examine how outrage ignited by the devastating October 2023 Hamas attack on Israel and the catastrophic war in Gaza has deeply divided American college campuses.
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A firestorm has been raging on many American college campuses over the Israel-Hamas war in Gaza and in some places, devolving into hate-filled rhetoric and arrests. FRONTLINE and Retro Report have been following the escalating turmoil since the war began — talking to people on all sides of the divide, investigating how universities have responded, how powerful interests joined the fray, and how the conflict over the conflict ultimately spiraled out of control.
The resulting documentary, “Crisis on Campus,” offers an incisive look at mounting tensions at some of the nation’s most elite institutions, including Columbia and Harvard universities, which have been the focus of intense debate. The documentary features revealing interviews with students and faculty at Harvard and Columbia, as well as other key players in Washington and beyond. It examines how university leaders, some of whom have faced congressional hearings, navigated the challenges of responding to heated rhetoric and division on their campuses and balancing free speech with the need to prevent harassment and discrimination.
As of June 2024, tens of thousands of Palestinians have been killed in Gaza, and Hamas is still holding Israeli hostages. “Crisis on Campus” provides a window into how the divisions over the war continue to run deep on college campuses across the U.S.
“Crisis on Campus” is a FRONTLINE production with Retro Report. The director is James Jacoby and the producers are Scott Michels and Joseph Hogan. The writers are James Jacoby and Scott Michels. The senior producer is Dan Edge. The executive producer of Retro Report is Kyra Darnton. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore related reporting on our website:
https://www.pbs.org/wgbh/front....line/documentary/cri
#Documentary #Israel #Gaza #Colleges
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
A chronicle of the lives and economic struggles of two families in Milwaukee, Wisconsin — one Black and one white — across more than three decades, this “knockout documentary” (The New York Times) raises unsettling questions about the changing nature of the American economy.
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“Two American Families: 1991-2024” documents the saga of two families, the Stanleys and the Neumanns, who have spent the past 34 years battling to keep from sliding into poverty, and who refuse to give up despite upheaval in the U.S. economy. When the team first began documenting the families’ lives in 1991, the Neumanns and Stanleys were both struggling to adapt to a new, global economy and the trend towards part-time, lower-wage work.
With profound intimacy, the documentary follows the stories of the Stanleys and the Neumanns across six presidential administrations and offers a powerful window into how they and their now-grown children have fared while trying to stay afloat in an economy that has presented challenge after challenge for them.
“There are so many people struggling the same way with the cost of everything and not getting enough on your paycheck to cover your monthly expenses,” said Terry Neumann, who was a mom of young kids when the documentary’s producers began filming with her and is now in her early 60s. “It’s like we haven’t come very far.”
“I won’t give up,” said Jackie Stanley, who is working as a real estate agent while entering her 70s.
“Two American Families: 1991-2024” is a FRONTLINE production with Okapi Productions LLC and Public Affairs Television, Inc. in association with Left/Right Docs. The producers and directors are Tom Casciato and Kathleen Hughes. The co-producer is Andrew Fredericks. The senior producers are Frank Koughan and Nina Chaudry. The writer is Kathleen Hughes. The correspondent is Bill Moyers. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore reporting related to “Two American Families” on our website:
https://www.pbs.org/wgbh/front....line/documentary/two
#Documentary #AmericanDream #Economy #Work
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
03:58 - How Changes in the American Labor Market in the Early ‘90s Impacted Some Families
16:19 - How the Financial Struggles of Parents Can Affect Their Children
35:02 - As Demand for Skilled Labor Increased in the Mid-90s, Wages Remained Low
47:08 - Why Some Working Families Continued to Face Financial Hardships Despite a Booming Economy in the Late ‘90s
1:01:48 - How Economic Changes in the Early 2010s Affected Families Already Struggling to Make Ends Meet
1:11:09 - Some Challenges Children From Income-Insecure Households Have Faced as Adults
1:23:08 - How Tax Cuts for the Wealthy, Inflation and Other Economic Shifts Have Affected Some Working Families Now Reaching Retirement Age
1:52:18 - Credits
Amid accusations that the German far-right party the AfD (Alternative für Deutschland) has provoked violence, which it denies, FRONTLINE investigates the overlapping rise of the AfD and far-right extremism in modern-day Germany.
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In the almost 80 years since the Holocaust ended, Germany has worked to overcome its Nazi history — prominently acknowledging Nazi crimes and memorializing victims, establishing strict laws about antisemitism and hate speech, and becoming a global leader in welcoming refugees.
But over the past decade, Germany has faced a rising wave of far-right violence. “Germany’s Enemy Within” probes extremist attacks and plots, from an attempted massacre of worshippers at a synagogue on Yom Kippur, to a mass shooting targeting Muslims, to the assassination of a pro-refugee politician, to an alleged plot to violently overthrow the German government. The documentary also examines the AfD’s rise, how anti-immigrant rhetoric has found a foothold in Germany, and how, if the AfD were to win power in the German state of Thuringia, it would be the first time a far-right party has controlled a German state since the Nazis.
“Germany’s Enemy Within” is a FRONTLINE Production with Mongoose Pictures in association with Evan Williams Productions. The correspondent, reporter, producer and director is Evan Williams. The senior producer is Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore related reporting on our website: https://www.pbs.org/wgbh/front....line/documentary/ger
#Documentary #Germany #AfD #FarRight #Politics
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
04:35 - A Look Back at Germany’s Efforts To Overcome its Nazi History
07:54 - Far-Right Terror Attacks in Germany in Recent Years
17:08 - Why the AfD (Alternative für Deutschland) Party Was on the Radar of German Intelligence
26:45 - An Alleged Far-Right Plot To Overthrow the German Government
36:29 - Why Mass Demonstrations Against the AfD Party Broke Out in 2024 in Germany
44:07 - Why Some German Officials Are Concerned About Democracy in Their Country
52:16 - Credits
In part three of this 2012 award-winning series, FRONTLINE goes inside the Obama White House, telling the story of how a newly elected president with a mandate for change inherited a financial crisis that would challenge his administration and define his first term.
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FRONTLINE’s veteran financial and political producers Michael Kirk (The Choice 2020: Trump Vs. Biden, United States of Conspiracy), Martin Smith (The Crown Prince of Saudi Arabia, The Pension Gamble), Marcela Gaviria (A Subprime Education, Separated: Children at the Border) and Tom Jennings (Right to Fail, Opioids Inc.) team up to present this Emmy Award-winning documentary series.
#Documentary #MoneyPowerWallStreet
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
In the summer of 2003, violence against the U.S.-led coalition in Iraq spiked alarmingly. Traveling across Iraq, FRONTLINE reporters went to see how the U.S. plan to turn the country into a showcase for democracy in the Middle East was faring. (Aired 2004)
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In the 2004 documentary, “Beyond Baghdad'', veteran investigative team Martin Smith, Marcela Gaviria and Scott Anger continued their reporting on Iraq, setting out on a five-week journey across the country, from the Kurdish north, through the Sunni Triangle, to the Shiite south, taking a hard look at the social and political reality beyond the political corridors of Baghdad.
Love FRONTLINE? Find us on the PBS Video App where there are more than 300 FRONTLINE documentaries available for you to watch any time: https://to.pbs.org/FLVideoApp
#Documentary #BeyondBaghdad
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Has the age of antibiotics come to an end? From a young girl on life support in Arizona to an uncontrollable outbreak in 20XX at one of the nation’s most prestigious hospitals, FRONTLINE investigates a deadly type of bacteria that our modern antibiotics can’t stop. (Aired 2013)
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Addie Rerecich was a happy 11-year-old girl who loved sports and talked a mile a minute. But when a mysterious pain in her hip landed her in the hospital in 2011, she began a downward spiral into the nightmare of a new kind of antibiotic-resistant infection that is confounding doctors across the world.
Addie’s precipitous decline might sound unusual, but as FRONTLINE reveals in “Hunting the Nightmare Bacteria”, medicine’s struggle with deadly drug-resistant infections is becoming all too real. After decades of antibiotic overuse, the crisis of untreatable infections has only deepened. Most major drug companies, squeezed by Wall Street expectations and facing steep scientific hurdles, have abandoned the development of new antibiotics. Correspondent David Hoffman takes viewers behind the story of one major drug company’s efforts to overcome the new drug-resistant superbugs—and why, despite those efforts, the drug pipeline is running dry.
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#Documentary #NightmareBacteria
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Tim Alberta is a staff writer for The Atlantic. He formerly served as chief political correspondent for Politico and is the author of American Carnage: On the Front Lines of the Republican Civil War and the Rise of President Trump.
The following interview was conducted by the Kirk Documentary Group’s Mike Wiser for FRONTLINE on May 6, 2022. It has been edited for clarity and length.
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript of this interview, and others, on the FRONTLINE website: https://www.pbs.org/wgbh/front....line/interview-colle
#Frontline #Interview #TimAlberta
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Trump’s Initial Claims of Fraud in the 2020 Election - 0:00:00
The Response from Graham and Cruz - 0:05:48
Cruz and the 2016 Election - 0:11:31
Pence Joins the Ticket - 0:39:59
Trump’s Early Presidency and the Republican Response - 0:46:04
Trump and Charlottesville - 0:53:48
The First Impeachment - 0:57:06
Republican Leadership in the Wake of the 2020 Election - 1:09:14
Jan. 6 and the Aftermath - 1:20:41
The Republicans Exile Liz Cheney - 1:29:56
In part two of this 2012 award-winning series, FRONTLINE investigates the largest government bailout in U.S. history and a series of decisions that rewrote the rules of government and fueled a debate that would alter the country’s political landscape.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
In the second hour of Money, Power and Wall Street, FRONTLINE producer Michael Kirk tells the story of how the country’s leaders—Treasury Secretary Henry Paulson, Federal Reserve Chairman Ben Bernanke and New York Federal Reserve President Timothy Geithner—struggled to respond to a financial crisis that caught them by surprise.
FRONTLINE’s veteran financial and political producers Michael Kirk (The Choice 2020: Trump Vs. Biden, United States of Conspiracy), Martin Smith (The Crown Prince of Saudi Arabia, The Pension Gamble), Marcela Gaviria (A Subprime Education, Separated: Children at the Border) and Tom Jennings (Right to Fail, Opioids Inc.) team up to present this Emmy Award-winning documentary series.
#Documentary #MoneyPowerWallStreet
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Steve Bannon is a media executive and political strategist. He served as executive chairman of Breitbart News, as an adviser to Donald Trump’s 2016 presidential campaign, and later as chief strategist in the Trump White House.
Bannon's candid interview was conducted with FRONTLINE on March 17, 2019 during the making of the two-part January 2020 documentary series “America's Great Divide: From Obama to Trump."
Watch Part One here: https://youtu.be/SnMBYMOTwEs
And Part Two here: https://youtu.be/l5vyDPN19ww
—————
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript and interactive version of this interview, and others, on the FRONTLINE website:
https://www.pbs.org/wgbh/front....line/interview-colle
—————
#AmericasGreatDivide #frontlinePBS #SteveBannon
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FRONTLINE is streaming more than 200 documentaries online, for free, here: http://to.pbs.org/hxRvQP
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, The John and Helen Glessner Family Trust, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
Filmed over 34 years, two families struggle to survive in a changing American economy. Through hard times, falling wages, and loss of manufacturing jobs, the continuation of Bill Moyers’ chronicle of perseverance as the American dream slips away. Premieres Tuesday, July 23rd.
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
In the fourth and final part of this 2012 award-winning series, FRONTLINE investigates a Wall Street culture that remains focused on making risky trades.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
FRONTLINE’s veteran financial and political producers Michael Kirk (The Choice 2020: Trump Vs. Biden, United States of Conspiracy), Martin Smith (The Crown Prince of Saudi Arabia, The Pension Gamble), Marcela Gaviria (A Subprime Education, Separated: Children at the Border) and Tom Jennings (Right to Fail, Opioids Inc.) team up to present this Emmy Award-winning documentary series.
#Documentary #MoneyPowerWallStreet
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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Watch the full-length episode at http://to.pbs.org/WKwdIT
Are Wall Street executives "too big to jail"?
FRONTLINE investigates why Wall Street's leaders have escaped prosecution for any fraud related to the sale of bad mortgages.
Watch the full-length episode at http://to.pbs.org/YHkLx8
Retirement is big business in America, but is the system costing workers and retirees more than what they're getting in return?
FRONTLINE's investigation raises troubling questions about how America's financial institutions protect our retirement savings.
In this 2015 documentary, FRONTLINE traces Vladimir Putin’s ascent from unemployed spy to modern-day czar, and investigates the accusations of criminality and corruption that have surrounded his reign in Russia. (Aired 2015)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
In this 2015 film, a coproduction with the Canadian Broadcasting Corporation, producer Neil Docherty and correspondent Gillian Findlay traced Putin’s career back two decades to his political start in St. Petersburg, where allegations of corruption began almost immediately. Drawing on firsthand accounts from exiled Russian business tycoons, writers and politicians, as well as the exhaustive research of scholar and best-selling “Putin’s Kleptocracy” author Karen Dawisha, the film examined troubling episodes in Putin’s past, from alleged money-laundering activities and ties to organized crime, to a secret personal fortune said to be in the billions.
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#Documentary
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Watch journalist Julia Ioffe’s candid, full interview on Putin and allegations of Russian interference in the 2016 U.S. election – part of FRONTLINE’s media transparency project for our investigation, “Putin’s Revenge.”
More: http://www.pbs.org/wgbh/frontl....ine/interview-collec
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Mark Sanford served as U.S. Representative for South Carolina from 1995 to 2001 and from 2013 to 2019, and as governor of South Carolina from 2003 to 2011. He is the author of "Two Roads Diverged: A Second Chance for the Republican Party, the Conservative Movement, the Nation ― and Ourselves."
The following interview was conducted by the Kirk Documentary Group’s Mike Wiser for FRONTLINE on May 24, 2022. It has been edited for clarity and length.
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript of this interview, and others, on the FRONTLINE website: https://www.pbs.org/wgbh/front....line/interview-colle
#Frontline #Interview #MarkSanford
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Trump’s Rise in the Republican Party - 0:00:00
Ted Cruz and Donald Trump - 0:04:56
What Trump Offered Voters - 0:13:19
The Democratic Response - 0:18:24
The Republican Response to Trump’s Early Presidency - 0:20:02
Trump and Charlottesville - 0:31:26
Exile from the Republican Party - 0:39:44
Trump and McCarthy - 0:44:47
The 2020 Election - 0:45:35
Jan. 6 and the Aftermath - 1:03:42
Liz Cheney and the Future of the Republican Party - 1:12:11
Jelani Cobb writes about race, politics and history for The New Yorker. He is also the dean of Columbia Journalism School and the author of The Substance of Hope: Barack Obama and the Paradox of Progress.
The following interview was conducted by the Kirk Documentary Group’s Mike Wiser for FRONTLINE on July 5, 2022. It has been edited for clarity and length.
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript of this interview, and others, on the FRONTLINE website: https://www.pbs.org/wgbh/front....line/interview-colle
#Frontline #Interview #JelaniCobb
Love FRONTLINE? Find us on the PBS Video App, where there are more than 300 FRONTLINE documentaries available to watch any time: https://to.pbs.org/FLVideoApp
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Early Claims of Election Fraud and the Republican Response - 0:00:00
Trump and the 2016 Election - 0:04:10
The Rise of Political Violence - 0:09:56
Trump, Cruz and the Republican Party - 0:17:37
Pence’s Calculation - 0:29:19
Trump’s Early Presidency and Charlottesville - 0:31:53
The First Impeachment - 0:41:31
Trump’s Response to the Black Lives Matter Movement - 0:49:02
Republican Response to Trump’s Claims of Election Fraud - 1:03:33
Pressure on Pence - 1:09:57
Jan. 6 and the Aftermath - 1:13:37
Timothy Snyder is a professor of history at Yale University. He is the author of The Road to Unfreedom: Russia, Europe, America.
The following interview was conducted by the Kirk Documentary Group’s Michael Wiser for FRONTLINE on Sept. 26, 2022. It has been edited for clarity and length.
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript of this interview, and others, on the FRONTLINE website: https://www.pbs.org/wgbh/front....line/interview-colle
#Putin #TimothySnyder #FrontlineInterview
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FRONTLINE is streaming more than 300 documentaries online, for free, here: http://to.pbs.org/hxRvQP
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Mona Charen is a conservative columnist and the policy editor for The Bulwark.
The following interview was conducted by the Kirk Documentary Group’s Mike Wiser for FRONTLINE on May 4, 2022. It has been edited for clarity and length.
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript of this interview, and others, on the FRONTLINE website: https://www.pbs.org/wgbh/front....line/interview-colle
#Frontline #Interview #MonaCharen
Love FRONTLINE? Find us on the PBS Video App, where there are more than 300 FRONTLINE documentaries available to watch any time: https://to.pbs.org/FLVideoApp
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
The 2020 Election and Trump’s Claims of Fraud - 0:00:00
The 2016 Election - 0:04:21
What Trump Offered Voters - 0:14:16
The Democratic Response to Trump - 0:25:17
Trump’s Early Presidency - 0:29:16
Trump and Charlottesville - 0:35:26
Trump’s Relationship with Authoritarian Leaders - 0:46:11
Liz Cheney and the First Impeachment - 0:55:14
Trump, COVID and Black Lives Matter - 1:01:40
After the 2020 Election - 1:11:14
Jan. 6 and the Aftermath - 1:20:36
FRONTLINE follows the money to uncover how Wall Street and a breed of for-profit universities transformed the way we think about college in America. (Aired 2010)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
In “College, Inc.,” correspondent Martin Smith investigates the promise and explosive growth of the for-profit higher education industry. Through interviews with school executives, government officials, admissions counselors, former students, and industry observers, the documentary explores the tension between the industry — which says it's helping an underserved student population obtain a quality education and marketable job skills — and critics who charge the for-profits with churning out worthless degrees that leave students with a mountain of debt. At the center of it all stands a vulnerable population of potential students, often working adults eager for a university degree to move up the career ladder.
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#Documentary #College #StudentLoans
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
Wall Street and Higher Education - 00:52
The For-Profit University Business Model - 07:07
How For-Profit Colleges Sell Themselves - 16:27
What It Takes To Revive A Failing College - 27:08
Corinthian and Students in Debt - 34:01
Lobbying Against Tougher Regulations - 46:15
Credits - 52:34
With the Venezuelan news outlet Armando.info, FRONTLINE investigates the shadowy figure at the heart of a corruption scandal spanning from Venezuela to the U.S. "A Dangerous Assignment: Uncovering Corruption in Maduro’s Venezuela" premieres Tues., May 14, 2024.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
This 90-minute documentary tells the inside story of Alex Saab, his capture and then release by the U.S. in a controversial prisoner swap, and what has happened to the journalists who helped uncover the corruption scandal.
#Documentary #Trailer
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
On Nov. 12, 2021, former Trump adviser Steve Bannon was indicted on two counts of contempt of Congress, after failing to comply with a subpoena issued by the U.S. House select committee investigating the Jan. 6 riot at the Capitol. Revisit FRONTLINE’s examination of Bannon’s worldview and his role in Donald Trump's campaign and administration. (Aired 2017)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
A bombastic figure on the far right who rose to prominence as a policy adviser and speech writer, Steven Bannon entered the White House determined to implement Trump’s campaign promises. “Bannon’s War” details how the former Breitbart News editor also engineered the sweeping executive order that restricted Muslims from entering the United States, and held such sway over the former president that Time magazine dubbed him “Manipulator in Chief.” He left the White House in August 2017 amid fallout from Trump’s remarks about the violence that erupted during protests in Charlottesville, Va. but continued to promote the president and his agenda.
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#Documentary #BannonsWar
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
With the Venezuelan news outlet Armando.info, FRONTLINE investigates the shadowy figure at the heart of a corruption scandal spanning from Venezuela to the U.S. "A Dangerous Assignment: Uncovering Corruption in Maduro’s Venezuela" premieres Tues., May 14, 2024.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
This 90-minute documentary tells the inside story of Alex Saab, his capture and then release by the U.S. in a controversial prisoner swap, and what has happened to the journalists who helped uncover the corruption scandal.
#Documentary #Trailer
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
An investigation into the spread of dangerous pathogens in our meat — particularly poultry — and the challenges facing the food-safety system in stopping the threat. (Aired 2015)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
In FRONTLINE’s “The Trouble with Chicken,” correspondent David E. Hoffman investigates how and why the standards and laws around Salmonella have failed to keep up with the increasing danger posed by some strains of the bacteria.The film looks closely at one of the largest Salmonella poultry outbreaks on record, when chicken from Foster Farms sickened more than 600 people over 16 months. Delving into the complex world of food safety, the investigation reveals a seeming contradiction: even though hundreds of people were falling ill, Foster Farms was still meeting the U.S. Department of Agriculture’s (USDA) standards for Salmonella contamination.
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#Documentary #TroubleWithChicken
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
An inside look at Israeli Prime Minister Benjamin Netanyahu’s political rise and his combative relationship with past U.S. presidents. (Aired 2016)
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#Netanyahu #Documentary #FrontlinePBS
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FRONTLINE is streaming more than 200 documentaries online, for free, here: http://to.pbs.org/hxRvQP
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation. Additional funding is provided by the Park Foundation, The John and Helen Glessner Family Trust, the Ford Foundation, the Wyncote Foundation, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
Gabriel Sterling is an elections official in Georgia. He served as the state’s voting system implementation manager from 2019 to 2020 and is currently the chief operating officer for the secretary of state. He testified before the House Select Committee to Investigate the January 6th Attack on the U.S. Capitol.
The following interview was conducted by Kirk Documentary Group’s Mike Wiser for FRONTLINE on Oct. 17, 2023. It has been edited for clarity and length.
This interview is being published as part of FRONTLINE’s Transparency Project, an effort to open up the source material behind our documentaries. Explore the transcript of this interview, and others, on the FRONTLINE website: https://www.pbs.org/wgbh/front....line/interview-colle
#Frontline #Interview #GabrielSterling
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Additional support for this program is provided by the Jonathan Logan Family Foundation.
FRONTLINE and ProPublica investigated how secret electronic surveillance missed catching the plotters behind the deadly 2008 siege in Mumbai and how American-born David Coleman Headley, a former DEA informant, played a key role in the plot. (Aired 2015)
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When Edward Snowden exposed the U.S. National Security Agency’s secret mass surveillance programs, defenders of the NSA said the spying was necessary, and they produced an example: David Coleman Headley, an American recruited by Pakistani terrorists to help plan the 2008 Mumbai attack known as “India’s 9/11.” But was Headley’s capture an intelligence success? ProPublica reporter Sebastian Rotella investigated those claims, unearthing evidence of how intelligence agencies didn’t stop the 2008 attack in which 166 people were killed. “American Terrorist” is an updated and expanded version of 2011’s “A Perfect Terrorist.”
“American Terrorist” was a FRONTLINE production with Left/Right Docs in association with 2over10 Media in partnership with ProPublica. It was written, produced and directed by Thomas Jennings. The correspondent was Sebastian Rotella. The co-producers were Anna Belle Peevey and Sabrina Shankman. The reporters were Sebastian Rotella, Jeff Larson, Thomas Jennings, and Anna Belle Peevey. The senior producer was Frank Koughan. The deputy executive producer of FRONTLINE was Raney Aronson-Rath. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting related to "American Terrorist" on our website: https://www.pbs.org/wgbh/front....line/documentary/ame
#Documentary #Terrorism #NSA #Mumbai
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 – Prologue
1:16 - David Coleman Headley: Reconnaissance for Al Qaeda in Copenhagen, Denmark
12:17 - David Coleman Headley: From Drug Smuggler to Informant
21:43 - David Coleman Headley’s Path to Terrorism
33:34 - David Coleman Headley Helps Plan 2008 Mumbai Attack
44:44 - The Plotting of the 2008 Mumbai Terror Attack
53:32 - Attackers Target Mumbai in 2008 and Kill 166 People
01:03:20 - Did Mass Surveillance Programs Stop American Terrorist David Coleman Headley?
1:21:57 - Credits
In this 2009 follow-up to the groundbreaking documentary “The New Asylums,” FRONTLINE examined what happens to people who are living with mental illness when they leave prison. (Aired 2009)
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In 2005’s “The New Asylums,” FRONTLINE filmmakers Karen O’Connor and Miri Navasky went deep inside the Ohio prison system as it struggled to provide care to thousands of inmates with mental illness.
In 2009’s “The Released,” they returned to Ohio to tell the next chapter in this story. That year, more than 700,000 people were expected to be released from prison across the U.S., more than half of them dealing with mental illness. Typically, these people would leave prison with a bus ticket, $75 in cash, and two weeks' worth of medication to treat their illness. Studies from the time showed that nearly two-thirds of people with mental illness released from prison — often poor and out of touch with friends and family — were rearrested within 18 months. “The Released” offered an intimate look at the lives of people with serious mental illnesses who were released from prison but struggled to remain free.
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https://www.pbs.org/wgbh/front....line/documentary/rel
#Documentary #Prison #MentalHealth
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - A Tragic Cycle for People With Mental Illness
9:56 - For People With Mental Illness, a Difficult Transition to Post-Prison Life
19:29 - The Revolving Prison Door
26:28 - A Model for Community Treatment of People With Mental Illness
34:36 - For People With Serious Mental Illness, ‘A Huge Social Failure’
43:27 - What Comes After Prison Release for People With Serious Mental Illness?
52:47 - Credits
Nearly half a million people in America’s prisons and jails were dealing with mental illness in 2005. FRONTLINE examined mental health in the prison system. (Aired 2005)
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When “The New Asylums” was originally released, 16 percent of America’s prison population could be classified as having a severe mental illness such as schizophrenia, major depression or bipolar disorder, according to National Alliance for the Mentally Ill. The numbers were much higher when taking into consideration other types of mental illnesses and disorders.
As sheriffs and prison wardens became the unexpected and ill-equipped gatekeepers of this burgeoning population, they raised a troubling issue: were jails and prisons turning into America’s new mental hospitals?
With unprecedented access to prison therapy sessions, mental health treatment meetings, crisis wards, and prison disciplinary tribunals, FRONTLINE went inside Ohio’s state prison system to present a searing exploration of the complex topic of mental health behind bars and a moving portrait of the individuals at the center of this issue.
Explore additional reporting related to "The New Asylums" on our website:
https://www.pbs.org/wgbh/front....line/documentary/sho
#Documentary #Prison #MentalHealth #MentalIllness
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
01:06 - People With Mental Illness Ending Up in Jails & Prisons
12:31 - How Prisoners With Severe Mental Illness Filter Into Maximum Security Prison
24:35 - Cycling Between the Prison Psychiatric Hospital and Maximum Security
34:41 - Solitary Confinement While Living With Mental Illness: ‘A Prison’s Prison’
38:56 - What Comes After Release For Prisoners With Mental Illness
52:49 - Credits
Drawing on real-time, firsthand accounts, FRONTLINE, @ProPublica and @texastribune reconstruct law enforcement’s chaotic response to the May 2022 Uvalde school shooting and examine the missteps and lessons learned.
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Using official bodycam, audio and investigative interviews with responding officers, the documentary reconstructs how events unfolded at Robb Elementary School in Uvalde, Texas, giving a detailed analysis of one of the most criticized mass shooting responses in recent history, and providing real-time insight into law enforcement’s thoughts and actions.
The documentary and in-depth story co-published by the news organizations provide powerful accountability reporting about what went wrong in the response to one of the worst school shootings in U.S. history.
“Inside the Uvalde Response” is a FRONTLINE production with The Documentary Group in association with ProPublica and The Texas Tribune. The director is Juanita Ceballos. The producers are Juanita Cellabos and Michelle Mizner. The co-producer is Lauren Prestileo. The writer is Juanita Ceballos. The senior producers are Nina Chaudry and Gabrielle Tenenbaum. The reporters are Lomi Kriel and Lexi Churchill (ProPublica/The Texas Tribune) and Jinitzail Hernandez (The Texas Tribune), with editing by Zahira Torres of ProPublica and The Texas Tribune. The editor-in-chief of ProPublica is Stephen Engelberg. The editor-in-chief of The Texas Tribune is Sewell Chan. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
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#Documentary #Uvalde #Police
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS.
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Bill and Cile Hicks and
the Willett Family Foundation.
CHAPTERS:
00:00 - Prologue
01:12 - Analyzing the Uvalde School Shooting Law Enforcement Response
06:13 - In Investigative Interviews, Police Recall Entering Robb Elementary
19:37 - A Teacher’s 911 Call: ‘Robb Elementary Has an Active Shooter’
26:32 - Police Officers Responding to Uvalde Shooting: ‘There’s Kids in There’
35:32 - A Robb Elementary Student Calls 911 37 Minutes Into Crisis: ‘Send Help’
46:27 - Responding Police Officers Reflect on the Uvalde School Shooting
52:00 - Credits
